Monday, October 10, 2011

Death Fugue Translations



John Felstiner's translation of "Death Fugue" by Paul Celan states the last line of the second stanza as: "jab your spades deeper you lot there you others play on for the dancing" whereas Jerome Rothenburg states it as: " jab your spades deeper you men you other men you others play up again for the dance." This section strikes a mournful chord in my heart.

 I read the book Night by Elie Wiesle, and there was a character in that book who played his violin as the Jewish people marched onward through cold and pain. This line of the poem reminds me of the sad emotion that filled me when I read that book. Music is something that I can connect to more than anything else; it can raise my spirits, but it can also fill me with a profound sadness. Imagining people being forced to play music while they dig their own graves is abhorrent to me. The songs that they would have played would have been the saddest of lamentations.

The imagery of song brings to light the importance of music in relation to emotional expression. At the vigil for Professor Miller, those in attendance sang hymns of comfort. I think that those songs summed up the feelings held by those there. I did not know Professor Miller personally, but I could feel how much he affected this community. He will be greatly missed.

Monday, October 3, 2011

September 1, 1939 applied to 9/11

Those who embrace "September 1, 1939" as a poem to represent September 11, 2001 wreak of irony. I would not have expected a poem that picks at America's steadfastness to their comfort to be chosen as an expression of their feelings towards 9/11.

September 1, 1939



Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.

To me, this poem symbolizes our reluctance to leave or look outside our comfort zone. Everyone has an area, state of living, anything in which they feel safe, secure, and comfortable. When something comes along that shakes them from this position, their world falls apart. This is what I feel Auden is describing in this stanza of his poem.

The rhyme between "day" and "play" connect the two concepts of safety and familiarity. Then the rhyme in the last three lines, "wood" and "good",  connect the lostness of a shaken viewpoint to the wrongs of those who dwelled in comfort.

This stanza brings to light Auden's feelings toward the America to which he came during WWII. He saw how the Americans enjoyed their way of life and lived a life of relative comfort while parts of the world experienced pain and suffering.